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Commissioning your logo and brand identity: A guide for small business owners - Part 2

Aug 21, 2024

6 min read



Part 1 recap: Selecting and briefing a designer


In part 1 of my article on commissioning a logo and brand identity, I discussed how to select and brief a designer.


  1. Start with a clear understanding of your business goals and context. 

  2. Choose a designer who meets your hiring criteria and whose style aligns with your vision. 

  3. Then, and only then, create a brief that details your business background, target audience, positioning, values and personality. 


As an aside, I was at a digital marketing conference yesterday and one of the keynote speakers, David Fish, said something spot on: “Brand story before identity”. You need to establish your brand story first as it will influence every element of your visual identity. 


In Part 2, I’ll cover what happens next. How do you navigate the feedback and revision process once your designer sends back initial concepts?


Part 2: Providing effective creative feedback


After receiving my brief, my designer presented four options.


A grid displaying four logo concepts for 'Digital Sublime.'  Logo idea 1: A simple orange wordmark with a clean, sans-serif font. The letter 'i' is dotted with small squares transitioning in color from red to orange. Logo idea 2: A blue wordmark with rounded letters. A colorful, flower-like symbol composed of overlapping circles is positioned to the right. Logo idea 3: A coral-colored wordmark with rounded letters. The logo includes an icon on the left resembling an uppercase 'D' combined with a circular shape. Logo idea 4: A bold wordmark in black, paired with a geometric symbol featuring a stylized 'S' inside a hexagon with pink, orange, and yellow gradient colors.
The four options presented by my designer.


For brevity, I’m only showing each logo in isolation, but I want to acknowledge the effort behind each one. Each logo was part of a comprehensive brand identity concept presentation that included the inspiration, colour palette, typography, and examples of the logos being used in situ, such as in a website mockup, on business cards, as a laptop sticker, and so on. These types of proposals add lots of valuable context and help you visualise creative possibilities beyond a standalone logo.


Tips for providing constructive creative feedback


Tip 1: Take time to reflect.


One piece of advice I’ve taken to heart from designer Scott Voelker is to sleep on it. When you first see the concepts, note your gut reactions. They are valid responses, but give yourself room to ponder. What initially doesn’t appeal might grow on you, and what you loved at first sight might not turn out to be the best fit. Your business logo has to be about more than your personal taste and must be able to convey a message to your audience.


The first thing I did was send a message to my designer to acknowledge her work. I know designers usually develop thick skin, but I imagine that the moment when a designer sends a proposal to their client can be nerve-wracking. (A reminder to be kind.)


The message I sent:

A message from Alicia Cheah displayed on a white background. The message reads:  'Hi [name redacted], Thanks so much for this! You've put so much work into this, so thank you very much. You've given me lots to think about. I'd like to have a bit of a sleep on it, so will come back with my feedback at the end of the week. Thank you, Alicia'  The message is posted on July 4. It includes a small profile image of Alicia Cheah at the top left, along with her name in bold.
My message to the designer.

How I felt on the inside:


Oh my, so many options!


(Credit: Saikor_shank on Tiktok )


[Video alt text: A video showing a person holding their hand in front of a cat. The person uses their fingers to rapidly switch between pointing in different directions, creating a 'multiple-choice' scenario for the cat. The cat is visibly confused. The cat’s expressive face and sudden reactions add a layer of comedic timing to the video.]


I was genuinely torn. For each one, there were elements I loved, just like there were elements I wasn't so keen on. I would lean one way in the morning and then change my mind after lunch. So, I gave myself permission to sit on it.


Tip 2: Identify your stakeholders and how much weight to give their opinion. 


I asked a few trusted people for their feedback those familiar with my business, and those with just a cursory idea. A word of caution. Design by committee and trying to please everyone is how you get lukewarm, watered-down designs. 


So, before gathering input, determine key decision-makers and stakeholders, whether they’re a business partner, mentor, industry peer, early customer, or someone who represents your target audience. Asking family and friends is fine too, especially if your brand needs to have broad appeal. But be intentional about how much weight you give each opinion.


Tip 3: Be specific with your feedback.


Designers aren’t mind-readers. There's a reason why vague feedback like “make it pop” and “I’ll know it when I see it” top the list of frustrating and unhelpful feedback.


Be specific about what you like and dislike. For example, if you like the colour palette but find the font too formal, say so. If you like the reasoning behind a particular concept but want a different execution, ask the designer to explore that.


Summary of feedback provided to designer:

A feedback summary for four logo concepts for 'Digital Sublime' presented in a table format with three columns: Logo, Concept, and Feedback.  Idea 1:  Logo: An orange wordmark with simple sans-serif typography and small squares dotting the ‘i’. Concept: Variety of shapes symbolising authentic content creation, brand elevation, and transformation through shape changes (referencing sublimation). Feedback: The simplicity and typeface are appreciated, but the shapes feel static and not distinct enough. Spacing issues are noted in a stacked version. Idea 2:  Logo: A blue wordmark with rounded letters and a colourful flower-like symbol made of overlapping petal shapes. Concept: Emphasises connection, brand elevation, and transformation shown in a cohesive, harmonious way. Feedback: The concept of connection and growth is liked, but the implementation feels unbalanced, with extreme increments in the petal sizes. A preference for warm colours without blues is expressed. Idea 3:  Logo: A coral-coloured wordmark with an icon resembling an uppercase ‘D’ with geometric shapes. Concept: Represents sharp, geometric shapes for solidity, round shapes for gas-like fluidity, and a combination of letterforms (D+S). Feedback: The thinking is appreciated, but the infinity symbol doesn’t resonate with the brand. The design doesn’t align well with the overall concept. Idea 4:  Logo: A bold wordmark in black with a geometric symbol featuring a stylised ‘S’ and ‘D’ in negative space, coloured with warm pink and orange gradients. Concept: Represents solid (D) and gaseous (S) states using negative space within the shape. Feedback: The negative space idea is liked, but the pointed edge of the ‘D’ is too sharp, and the ‘S’ is too subtle. The typeface feels too condensed and lacks the desired organic, loose feel.

Tip 4: Focus on the positives, too. 


You’re the client and you should be happy with what you’re paying for, so be candid on what’s not hitting the mark. But feedback shouldn’t just be about what’s wrong. Pointing out what you like is important, too. After all, designers are human. Being respectful and professional in your communication should be the bare minimum. 


Highlighting the positives isn’t just a ‘feel-good’ thing. It helps the designer know what’s working and can carry it forward, or at least consider it in the next iteration.


Tip 5: Ask questions to understand certain design decisions.


If you’re unsure about a particular design choice, just ask. Understanding the reasoning behind certain decisions will help shape your feedback and might even change your perspective. For example, the designer might have picked a colour that has a strong affinity with your brand persona, or made a font choice for better legibility.


Tip 6: Provide consolidated feedback.


Send feedback in a consolidated manner. In the sense of not submitting it piecemeal, but also in terms of providing a cohesive overall direction. I gave detailed feedback on each design but honed in on one concept for the designer to refine. 


Initially leaning towards concept 1, I asked the designer to iterate on the spiral symbolism of concept 2, but with a more fluid and organic treatment. I let her know that I liked the concept 1 typeface best, but would also leave it to her to decide if it would suit concept 2.


Additionally, if you’re gathering feedback from others, consolidate their input, discard what’s not useful, and resolve conflicting opinions before sharing with the designer. The goal is to refine the design with each iteration, reducing the scope and number of revisions as you get closer to the final outcome. Having unambigious feedback really helps this process along.


Tip 7: Don’t tell the designer how to do their job.


Be specific, but don’t be overly prescriptive. You may be the expert on your business, but designers are experts in visual communication, design principles and colour theory. Trust their expertise. Rather than dictating solutions, articulate your concerns and let them apply their expertise and creative problem-solving to address the issues.


Tip 8: Don’t expect perfection. 


Your logo doesn’t have to be perfect. It just needs to align with where your business is at. Your logo is rarely used in isolation. The medium, context and messaging will always play a role in how it’s perceived, and consistency over time builds brand equity. As Sarah Wardlaw sums it up nicely, “A well-designed logo will create its own place”. 


There might be a time when a logo refresh or a complete rebrand is needed, so it’s futile to chase perfection. Even the brands with timeless and iconic logos didn’t start off that way; they were part of an evolution. Case in point, the earliest iterations of Uber, Apple, Coca-Cola and National Geographic’s logos look quite different to the versions we’re familiar with today.


The end result


A week later, my designer sent back revisions for logo idea 2. I’m not exaggerating; within five minutes of receiving her files, I responded, “That’s the one!”


A logo for 'Digital Sublime' featuring a black, modern sans-serif wordmark with rounded edges. The dot over the ‘i’ in ‘digital’ is represented by a small square. To the right of the wordmark is a flower-like symbol composed of overlapping petal shapes in a gradient of warm colors—orange, pink, and purple—arranged in a circular pattern. The petals have subtle transparency, creating a layered effect.

You can see how she’s addressed my feedback, incorporating my favoured font from concept 1 with a more dynamic and balanced implementation of the upwards spiral concept, alongside a warm colour palette. 


We avoided lengthy back-and-forth messages because the communication on both sides was clear. She articulated the design inspiration and elements, and I responded with what I liked and didn’t like, and why.


Overall, I’m delighted with my new logo. It feels like a natural evolution in both quality and maturity from my old one.



A side-by-side comparison of the old and new logos for 'Digital Sublime,' each with their respective color palettes. Old Logo (left side): A cursive, handwritten-style wordmark in a gradient from pink to orange. The logo includes a cluster of dots next to the Di’ in ‘Digital,’ transitioning from pink to yellow. Below the logo is the color palette, which includes dark maroon, pink, yellow, coral, and light pink circles. New Logo (right side): A modern sans-serif wordmark in black with rounded edges. The dot above the ‘i’ in ‘digital’ is a small square. To the right of the wordmark is a flower-like symbol with petals in a warm gradient of yellow, orange, pink, and purple, arranged in a circular pattern. Below the logo is the updated color palette with circles in shades of yellow, orange, coral, pink, and purple. The visual clearly shows the evolution from a script-style design to a modern, minimalistic identity with cleaner lines and vibrant colors.
A comparison of the old and new versions of the Digital Sublime logo.

And I couldn’t wait to get my logo out in the wild.


A photograph showcasing branded print collateral for 'Digital Sublime,' including business cards and stickers.  In the foreground, several business cards are displayed, featuring the Digital Sublime logo with the colorful flower symbol. The cards have a gradient background in shades of pink, orange, and red with the tagline 'authentic content & community.' On the left, one business card is propped up showing the contact details of Alicia Cheah, Founder & Consultant, including her email, website, and LinkedIn profile. In the background, a scattered pile of flower-shaped stickers showcases the Digital Sublime logo with its colorful petal design, adding a playful and vibrant element to the overall display.
Digital Sublime business cards and stickers.

Conclusion


Obtaining a logo is an exciting milestone in any brand’s journey. And while this article is focused on how to give feedback to your designer on your logo and brand identity, many of these principles hold true when collaborating with designers in general.


Thoughtful reflection, specific feedback, clear communication, and having trust and respect for your designer should result in an outcome that captures your brand's essence while setting a foundation for future growth.


 

Need help defining your brand strategy or managing the creative process?

Digital Sublime helps solopreneurs, startups and tech-focused small-medium businesses clarify their brand story. Whether you need strategic support or someone to liaise with third-party designers, I’ll ensure your brand assets are produced smoothly, without the hassle of managing every detail yourself. Get in touch today to see how I can support your business.

 

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